NEIL & LIAM FINN: LIGHTSLEEPER
As it’s a family affair, it’s entirely fitting that the story of Lightsleeper begins at a wedding.
It’s 2015, and Liam Finn is marrying his partner, Janina, on a Greek island. Liam’s father, Neil Finn, has done what one would expect one of the greatest songwriters of his generation to do, in the event of his songwriting son getting married: he has written a new song for the occasion. It is debuted at the point in the wedding when everyone has been invited to do some “free expression dancing.”
“Together/Together!” the chorus of Island of Peace goes. “Welcome to ships coming in/Safe harbour/Let love begin/Everybody hold on/ Together!”
In honour of the local Greek gods, Poseidon himself (Liam’s brother, Elroy Finn, gamely wearing a beard, and waving a trident) has risen from the sea, to give his “blessing.”
It’s a beautiful moment.
A short time later, however, the groom is fully unconscious. In the euphoria - and red wine - of the moment, a wedding guest lifts Liam onto his shoulders - only for said guest to misjudge the lift, and send the groom crashing to the ground.
“He was out cold for a moment - then lifted his hand to reveal a dislocated thumb,” Neil Finn recalls now, three years later. “That was the night over for him - but not everyone else. Minutes later, our marriage celebrant appeared, naked, out of the water, and strolled calmly through the taverna - coming to a halt in front of someone’s dallying husband that she ended up giving a big tonguey pash,” he adds, amused.
Beautifully, this story has all the elements of the Finn psycho-geographic landscape in a nutshell: family; song; love; red-wine joy; a cameo from the gods and their fickle influence over mankind’s fate; a painful intimation of human fragility and mortality; lust; kitchen- sink drama; and endless soaring skies. It’s little wonder that this was the moment in which Lightsleeper began.
For, once everyone’s hangovers had subsided, and Liam’s thumb became functional again, Lightsleeper started to come together: the first album written by father and son team Neil and Liam Finn.
Mainly recorded in Neil’s Auckland studio, Lightsleeper was intended to capture an atmosphere of “dreamy, cinematic beginnings”, and deal - in part - with the “profound generational shift” of both Liam’s marriage, and then the subsequent birth of his baby: Neil’s first grandchild.
That it bursts with both melody, and the trademark, woozy, switchback flips between the euphoria and sore longing that the Finn family are know for, goes without saying. It’s as sweet, drifting and burnt as wood-smoke. It’s the kind of album that you don’t so much play, as let ... coil through your house. Days later, you find yourself humming a fragment of it; running back to the record-player and pressing “play” again, to get that same oxytocin hit.
Neil and Liam work so well together - Liam layering “lo-fi sounds and atmospherics” over Neil’s lovesick Listen; Neil writing the first half of the liquidly rueful Hiding Place, then watching Liam finishing it, and taking it somewhere “totally unexpected” - that one wonders why they didn’t write together earlier. After all, musical collaboration is a well-established and wildly successful Finn family trope: Neil joined older brother Tim’s legendary new wave band Split Enz, and worked with him in the globally- conquering Crowded House, before recording the ravishing, stoned Finn Brothers album together.
Finn fate is for Finn to sing unto Finn, it seems. “I think it’s probably taken this long, because I’ve been doing my own thing,” Liam muses.
Leaving New Zealand at twenty, Liam relocated to Australia with his first band, Betchadupa. When they moved to London, and then split, he began a solo career, attracting worldwide acclaim with the I’ll Be Lightning album, and touring with Eddie Vedder, The Black Keys and Wilco. Two more albums followed: the tours gaining Liam a spiraling reputation for wild - and often unpredictable - live performances.
In 2015 - curious to see what happened - Liam and Neil finally came together onstage, with the set-list split 50/50.
“As I’m not entirely deluded - yet - I knew the people coming to those shows weren’t as familiar with my work as Dad’s; but the shows seemed to flow really well,” Liam says, modestly.
Anyone who saw Finn Sr and Jnr on tour - say, their Shepherd’s Bush Empire gig - will recall Liam as a shaggy-haired and effortlessly charismatic warrior in a red jacket, tearing up the stage with a Viking zeal, which his father, sitting at the piano, watched with joyous, elder-lion pride.
“After those live shows, we thought, ‘Well, wouldn’t it be nice to have songs to play that we’ve written together?’” Liam says, simply.
“It was risky,” Neil admits, “as we are both quite stubborn, and pedantic about different things. I was worried we might clash, and expose some weird deep family anxiety - but in fact we just upped the patience, tolerance and respect quotient, and avoided most of the angst. I loved seeing the way he works, and he was a good influence on me. The odd time, though there were haunted eyes, and inter-generational pain.”
“I love dad’s music,” Liam rejoins. “I’ve grown up with it being such a huge part of my life - I know it like the back of my hand. It’s been really great to have him learn my songs, and see his appreciation for what I do. I don’t think we have many others in our creative worlds that match up like this - so it’s been a great discovery.”
The sense of a shared world is what makes Lightsleeper so evocative - perhaps nowhere more so than on We Know What It Means: a song that inhabits the same world as John Lennon’s Beautiful Boy, and tells the story of bringing up the Finn family on the road: “Growing up and knowing what the dangers are/Doesn’t mean you lose your spark/You’ll always be a child at heart,” before vertically taking off into a joyous chorus, which begins, “We never laughed so hard/Rolling on the kitchen floor.”
“That evokes Liam’s childhood spent moving around on buses, and how we’ve now both arrived at place where we have fully lived a life, and can relate to each other as adults,” Neil nods.
“It feels poignant - after just completing our first tour with our son Buddy on the road,” Liam agrees.
The simple ethos of making music with friends and family continues right through the personnel recruited for the album: the touring band - Sharon Finn - Neil’s wife, and Liam’s mother - plays bass on two of the songs, Elroy Finn - Liam’s brother - drums on seven; and good friend Connan Mockasin returns for four. Greek drinking buddies of Neil’s bring plaintive bouzoukis to Back To Life, and Fleetwood Mac legend Mick Fleetwood turns up to party on Anger Plays a Part, Any Other Way, and We Know What It Means.
“I had caught up with Mick Fleetwood a month or so earlier, and sent out a wishful invitation to him to take part in the recording session,” Neil explains. “It was a lovely surprise that he said yes. It turns out he loves to play, and hang, and tell brilliant stories. He was also, by far, the best dressed in the studio.”
This unmistakable spirit - of musicians at their peak, bound together by the still-hot desire to make music that isn’t simply that year’s work, but something brewed up with bones, love, quiet revelation and the perfectly-evoked euphoria of being alive - is what makes Lightsleeper such a gorgeous progression in the Finn family musical history. It’s the Finns you turn to, time and time again, when you need a song that effects that Blakeian miracle - of showing you the world in just one grain of sand.
And indeed, this ethos continues in the Finn/Finn side-project: a forthcoming film, shot on tour in New Zealand as they abandoned the urban hubs, and headed up into the hills, down into the valleys, and over to the beach, playing tiny community halls - curiously and lovingly looking their country in the eye.
“When you grow up at the bottom of the world, your aspirations focused on the the glittering lights of New York and Europe; the mystery and allure of the East,” Neil explains. “Young New Zealanders head out as soon as they can - but are they missing something precious on their own doorstep? Now the world seems fixated on watching itself in a spiral of despair, perhaps there is something to be discovered by exploring the margins; whats happening unobserved in the small towns. Some truth.”
Some truth on your home-town; where it had always been waiting for you.
“I think we’ve learned that we just want to create good memories,” Liam says. “We’re always going to make the most of it, and enjoy the hell out of it. At the end of the day bands break up ... but we’ll always be a family.”
And is there a Finn family motto, musically-speaking? “I guess it’s, ‘Does it make you feel something?’” Neil replies. There is no better intent. That’s all there is.
NEIL FINN: OUT OF SILENCE
“For a long time, I’ve wanted to do a record in one crack and get it out in a week… Then I thought, ‘Well if we’re going to do that, let’s not make it a little acoustic thing that’s easy to record in one session. Let’s make it the most sophisticated record I’ve ever made.”
Throughout August, Neil Finn gave his fans the opportunity to follow the progress of his new album OUT OF SILENCE, with four weekly live streams culminating in the incredible four hour session last Friday that concluded the process.
It was an ambitious undertaking. Not least because the songs that comprise OUT OF SILENCE demand ambitious settings. However, as the sessions progressed, it slowly became apparent that the audience was privy to the creation of something truly exceptional.
Completed on the very first day of the sessions, the album’s initial single More Than One Of You seemed to establish the emotional temperature for what followed, given wings to fly by an illustrious choir featuring well-loved New Zealand recording artists Tiny Ruins, Lawrence Arabia and Don McGlashan. Unveiled on the second of the four live streams, Alone saw Neil’s brother Tim step forward to share the vocal duties after the pair warmed up with renditions of a couple of old Finn Brothers songs.
Anyone who has been watching the album sessions unfold will know just how crucial Victoria Kelly, already feted for her work with director Peter Jackson on The Hobbit and The Lovely Bones, has been to the process. Prior to OUT OF SILENCE, Neil and Victoria had worked together on the acclaimed Dizzy Heights album and a string of ensuing live shows. Both relished the challenge of recording OUT OF SILENCE in this way. As Neil puts it, “The thing about it is that if you’ve only got, at best, two or three chances to get it right, you don’t dick around in the studio. You prepare as best as you can. You make sure the songs are bolted together right.”
On Chameleon Days, an unadorned piano phrase is undercut by ominous strings. Independence Day is a gem in the tradition of Love This Life (from Temple of Low Men), Faster Than Light (from Try Whistling This) and, of course, Don’t Dream It’s Over (Crowded House). Terrorise Me is rooted in the tragic events that befell the Bataclan in November 2015, a memorial to every person who lost their life that night. “In my distant home,” sings Neil, “I will write a melody/That I will sing for you when I return/It may not change a lot/But I'll give it everything I've got/It will come to life because of you.”
Then there’s the insidiously catchy Second Nature (“inspired by a couple I saw on a Vespa in Athens, looking like mythological Gods”) and Love Is Emotional, a nod to our powerlessness in the face of what love has in store for us. Listen also to the careworn confidences imparted on I Know Different, somehow deeply personal yet utterly universal. It isn’t easy to make it look this easy.
The same, of course, could be said for the manner in which the recording sessions proceeded. It is hard to believe that the majority of OUT OF SILENCE was recorded in a single four hour burst. But perhaps the greatest mark of its success is that, were you not watching it happen in real time, you would never be able to guess. A mere week later, OUT OF SILENCE is available to download and stream, with CD to follow two weeks later. For Neil, it’s the culmination of a life-long ambition. “Sometimes making music and making records don’t always feel like the same thing. But I always felt there had to be a way to merge them. And for me, this was the way to do it. I finally worked it out!”
OUT OF SILENCE available to stream/download now.
CD and Vinyl available. Order your copy here: https://neilfinn.lnk.to/OutOfSilenceFP